I'm a Senior Lecturer in Filmmaking and award-winning filmmaker with a PhD in Cinema of Migration from the University of Oxford, Pembroke College. I have an internationally recognised profile in practice as research as a documentary filmmaker and photographer focusing on the ethical and poetic representation of minorities and marginalised communities. My filmmaking work is centred around the representation of otherness: the migrant identity in New York, Italy and the UK; indigenous cultures in Thailand, Nepal and India; men as warriors in Basha Miao Village (China) and women and babies in prison. A central facet of my work is the ethical encounter between the filmmaker and the represented subject; as a self-shooting director this typically requires me to film in restricted and uncontrolled spaces, ranging from a mother-and-child prison unit in Rome to jungles in Northern Thailand, bordering with Myanmar and Laos. My documentaries have been screened at international film events across the world including Africa, Brazil, Canada, China, Europe, Mexico, India and the United States.
My academic publications have examined topics including the cinematic representation of the journey of migration, accented modes of self-representation by women migrants and the emancipatory potentials of fantasy in migrant women's resistance against violence. My published monograph The dialogical gaze: the migratory journey to Italy in contemporary Italian and Romanian cinema investigates the way in which the character of the Romanian migrant is represented in their encounter with Italy, on their physical, temporary, or imaginary journey between memory and desire. The dialogical gaze paradigm can act as a model to create opportunities for cultural interdiscursivity and social empathy in the wider cinema environment. The book was published with the patronage of the Romanian National Film Archive/ Arhiva Nationala de Filme and the Romanian Academy in Rome.
Senior Lecturer in Filmmaking. Year Leader (L4).
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